Here’s one that was always my “argument”. It takes it a few secs to get into but you’ll hear it too. The feet walking even make me think of the RGB ghost walking The bassline sounds a little more like GB to me than Want a New Drug
If you can prove that the song in question sounds has been deliberatly copied from your song then you have a case. Here is an excerpt from an ABC.net article about Coldplay and their pending suit brought about.
Copyright Lawyer Michael Easton from Brett Oaten Solicitors explains how damages might be assessed in the Coldplay case.
“[You need to assess if] there’s any kind of culpability on the defendant’s part. So if it’s agreed that they subconsciously infringed then that might be something that reduces damages,” he said.
"But you’d also look at things like the extent to which the market for the original work’s been affected and what kind of profits the defendant made as a result of the infringement.
“Another aspect which is often significant in these cases is looking at the likelihood that the writer, the defendant, was exposed to the original song. So the question might come down to a case of whether [singer] Chris Martin has a Joe Satriani album in his collection.”
Sorry, but RPjr’s Ghostbusters song sounds very much like the Hugey Lewis song and I suggest that they had means to prove that which is why it was settled out of court and and non disclosure signed. The big part is proving if you knowingly ripped of another song or whether it was by chance you made the song sound the same. For example if you went and made a song using the guitar riff from the GB theme, then there is a pretty good chance that they would be able to prove you knowing copied it.
Sorry spooky they aere the same. I hate huey lewis and the news but I can’t say anything otherwise than the Ghostbusters song is a copy.
Just because RPjr’s song is at a faster BPM doesn’t mean it’s not! There is a reason why they settled out of court you know. It’s not bully boy tactics or luck either…
Ray Parker Junior’s Ghostbusters, one of the most popular 80s/pop tunes of all time even in light of the lawsuit.
I want a new drug, almost never played, and probably little heard of by the general public. It’s an ‘alright’ song, but there’s nothing memorable about it.
The sour grapes are soley the property of Mr. Lewis, Xander.
I played music for a few years back in the day (kinda wish I never stopped but anyway). Reading down this thread it’s nice to see someone do a breakdown. Rather then “it’s different” or “it isn’t”. The rythm is different for sure.
Huey: Daa dede dadaa daa, Daa dede dadaa daa
Ray: Dada dededa daa daa, Dada dededa daa daa
Only “3 and 4” are simular. But I think what induces them to sound more alike then they really are is because both of these melodies/loops are in four counts. But that’s a silly thing to sew someone over. Music is always in counts of four. So their arch starts and ends in the same amount of beats (four), and they end with a simular sound. So they don’t have a lot of ground for a law suit. All songs and melodies are in counts of four, so you can’t sew for both songs having a melody/loop that is only four counts. It just leaves the last two beats that are the same in the riff. Meh. Kind of a joke to bother.
I think MC Hammer had a lawsuit with Rick James with a simular argument. For “Can’t touch this” and “Super Freak”.
Now this is a little more tricky. Because the melody is simular, while the percussion is the defining difference. Which leads to a stronger arguement imho. The hilarious part is in the MC Hammer song he even says “This is a beat they can’t touch.” In other words it’s almost like he’s aware that his song is simular but says “my beat is different, then theirs!” Haha