Agreed, I can remember the realization that things were missing on my first VHS copy.
Back in college (88-92), my friend Scott commented about how he loved the gag when Egon was signing ‘4’ and ‘1’ to Peter when they were billing the Sedgewick. I had no recollection of this piece of nonverbal business, so we cued up the tape and discovered Egon was completely cropped out.
Back then we weren’t quite as knowledgeable about screen ratios as everyone is now, but my Radio-TV-Film professor talked about it in a class on the history of the TV set, so I began to research more on the aspect ratios, and figured out why pieces were hidden from my favorite films.
As a result, I began special-ordering letterbox VHS copies of movies long before it became trendy to do so. I had the Star Wars trilogy, both Ghostbusters, and the first Jurassic Park, if memory serves.
Seeing a widescreen VHS copy of Ghostbusters for the first time-- complete with Egon’s hand-signals-- was such a welcome change from the Pan&Scan version, I couldn’t stand watching cropped films after that.
Another thing on this tangent… if I recall correctly, the store-bought Pan&Scan, the one I taped off cable, and the ‘edited for TV’ one that I taped off network TV (was it ABC?) didn’t always match.
I remember seeing one version where when Peter asked “This happen to you before?/First time?”, they kept the crop centered on Murray, and Aykroyd’s silent head-shake and nod were a total mystery. Stupid way to crop that one!
But I also had one where the crop stayed on Aykroyd, with Murray just an off-camera voice. Finally seeing them both on my TV screen at the same time was so much better.
Likewise, you know that epic shot with Peck in the foreground and Stay-Puft off in the distance? One version cropped out Peck, the other cropped out Stay-Puft! I thought they were alternate edits of the movie!
It was a mighty revelation to finally see the entire frame on my specialty-order tape and realize it was one shot that had been broken up two ways.
Alex